Mic Preamplifier with high and low additive shelf EQ.

Qty: 2-4 (floating 500 rack)

4-channel mic preamp

Qty: 2 (1 in Studio A, 1 in Studio B)

Six-channel Neve lunchbox with the same transformers and amps as the beloved 1073 and 1084.

Qty: 1 (6 preamp channels)

Transformer in/ out, 990C op amp, no coupling capacitors= clean

Qty: 1

Pristine 4-channel preamp

Qty: 1

Two-channel Mic Pre with high and low additive shelf EQ.

Qty: 4 (2 in Studio A, 2 in Studio B)

Famous 1960s Ampex tape machine channel we rebuilt and modified to be used as a microphone preamp.

Qty: 6 (4 in Studio B, 2 in Studio A)

Very flexible gate

Qty: 2 (2 in Studio A)

All the dynamics under one roof.

Qty: 5 (3 in Studio A, 2 in Studio B)

Flexible compressor/ limiter/ de-esser

Qty: 1

Two-channel 1176 compressor/ limiter with shared timing and ratio

Qty: 1

Classic FET compressor/ limiter

Qty: 2

LA-2A with lots o’ bonus features

Qty: 2

Two-channel LA-2A style compression

Qty: 2 (1 in Studio A, 1 in Studio B)

A “really nice compressor”

Qty: 4 (1 in Studio A, 3 in Studio B)

Modern classic compressor/ limiter

Qty: 2 (1 in Studio A, 1 in Studio B)

Yet. Another. Gate.

Qty: 2

It’s a bird, it’s a plane, it’s a… gate?

Qty: 1

Versatile big brother to the 160 family

Qty: 1

Modernized version of the dbx compression sound

Qty: 2

4-channel gate

Qty: 2 (4-channel SG35 in Studio A, 2-channel SG33 in Studio B)

Vari-Mu tube compressor, modified to an EMI RS 124

Qty: 1

Three compressors in one (slow, fast, peak). Can be smashy and aggressive or smooth and transparent.

Qty: 2 (1 in Studio A, 1 in Studio B)

Powerful 3-band EQ with unique design and topology.

Beloved low/ high EQ

Qty: 1

6-band stereo EQ, including the original “air band.”

Qty: 2 (1 in Studio A, 1 in Studio B)

Stereo, 5-band fully parametric EQ with shelving low and high bands

Qty: 1

Extremely clean two-channel digital delay that can adjust from 10 seconds down to the microsecond for phase alignment and other shenanigans.

Analog delay with modulation

Qty: 1

Delay with modulation, chorus, and panning

Qty: 1

Big sis to the PCM70

Qty: 1

80s digital delay/ reverb

Qty: 1

Under-loved digital reverb

Qty: 2 (1 in Studio A, 1 in Studio B)

Simple and good-sounding digital verb

Qty: 1

1960s spring reverb that sounds nothing like a guitar amp’s

Qty: 1

Pristine digital delay.

Qty: 1

Harmonizer, reverb, delay, micro-chorus, sound crystal factory. Spin the wheel!

Qty: 2 (1 in Studio A, 1 in Studio B)

Cunningham-designed plate reverb

Qty: 2 (1 in Studio A, 1 in Studio B)

Rack distortion, because “distort everything”

Qty: 2 (1 in Studio A, 1 in Studio B)

Fun to be had.

Qty: 1

This is a handy box that simplifies Mid-Side recording

Qty: 2 (1 in Studio A, 1 in Studio B)

Harmonizer, reverb, delay, micro-chorus, sound crystal factory. Spin the wheel!

Qty: 2 (1 in Studio A, 1 in Studio B)

Mic Preamplifier with high and low additive shelf EQ.

Qty: 2-4 (floating 500 rack)

4-channel mic preamp

Qty: 2 (1 in Studio A, 1 in Studio B)

Discrete, transformer in/ out mic and line amp with EQ

Qty: 2

Custom preamp modeled after the John Hardy M2 in Studio A (with his kind assistance)

Qty: 1

Two-channel Mic Pre with high and low additive shelf EQ.

Qty: 4 (2 in Studio A, 2 in Studio B)

4x2 tube mixer

Qty: 2

Famous 1960s Ampex tape machine channel we rebuilt and modified to be used as a microphone preamp.

Qty: 6 (4 in Studio B, 2 in Studio A)

All the dynamics under one roof.

Qty: 5 (3 in Studio A, 2 in Studio B)

Optical compressor with program-dependent timing

Qty: 2 (2 in Studio B)

Trimmed-down LA-22

Qty: 1

Classic FET compressor/ limiter

Qty: 2

LA-2A with lots o’ bonus features

Qty: 2

“Lawsuit” copy of the ADR Vocal Stresser EQ / Dynamic Processor

Qty: 1

Two-channel LA-2A style compression

Qty: 2 (1 in Studio A, 1 in Studio B)

A “really nice compressor”

Qty: 4 (1 in Studio A, 3 in Studio B)

Modern classic compressor/ limiter

Qty: 2 (1 in Studio A, 1 in Studio B)

Dead-simple and effective de-esser

Qty: 3 (2 in Studio B, 1 floating)

Classic VCA compressor

Qty: 2

Extremely flexible two-channel compressor/ limiter

Qty: 1

4-channel gate

Qty: 2 (4-channel SG35 in Studio A, 2-channel SG33 in Studio B)

Mysteriously-named expander/ Gate

Qty: 2

Aggressive compressor with logarithmic knee, continuously variable RMS-peak detector= cool

Qty: 8

Three compressors in one (slow, fast, peak). Can be smashy and aggressive or smooth and transparent.

Qty: 2 (1 in Studio A, 1 in Studio B)

Compressor and Expander/ Gate with negative compression

Qty: 1

5-band stereo EQ designed by George Massenburg, using custom Sontec discrete op-amp modules. Lots of headroom and very wide bandwidth.

Qty: 1

“Lawsuit” copy of the ADR Vocal Stresser EQ / Dynamic Processor

Qty: 1

Discrete, transformer in/ out mic and line amp with EQ

Qty: 2

Passive EQ modded with 990 opamp makeup gain

Qty: 5

Passive Low-/ High-frequency EQ

Qty: 1

6-band stereo EQ, including the original “air band.”

Qty: 2 (1 in Studio A, 1 in Studio B)

Incredibly deep multi-effects processor with reverbs and delays for days

Extremely clean two-channel digital delay that can adjust from 10 seconds down to the microsecond for phase alignment and other shenanigans.

Bucket-brigade digital delay with Tron color scheme

Qty: 1

Under-loved digital reverb

Qty: 2 (1 in Studio A, 1 in Studio B)

Totally adequate ‘verb

Qty: 2

Pristine digital delay.

Qty: 1

Harmonizer, reverb, delay, micro-chorus, sound crystal factory. Spin the wheel!

Qty: 2 (1 in Studio A, 1 in Studio B)

Cunningham-designed plate reverb

Qty: 2 (1 in Studio A, 1 in Studio B)

Lovingly referred to as the “Satanizer”

Qty: 1

Rack distortion, because “distort everything”

Qty: 2 (1 in Studio A, 1 in Studio B)

Swooshy wooshy, bruh.

Qty: 1

This is a handy box that simplifies Mid-Side recording

Qty: 2 (1 in Studio A, 1 in Studio B)

Harmonizer, reverb, delay, micro-chorus, sound crystal factory. Spin the wheel!

Qty: 2 (1 in Studio A, 1 in Studio B)

Extremely clean two-channel digital delay that can adjust from 10 seconds down to the microsecond for phase alignment and other shenanigans.

Subharmonic generator … makes you shake your thang

Qty: 1

Dead-simple and effective de-esser

Qty: 3 (2 in Studio B, 1 floating)

2-channel dbx type-1 noise reduction unit

Qty: 1